ABOUT ME (关于我)

I am a student from Temasek Polytechnic studying Apparel Design & Merchandising, specialising in fashion design. I am a visual learner and a detail oriented person. I enjoy drafting and using the sewing machine. I enjoy working in a team but I am also able to work independently on my own. I am strict on myself and do not like to leave things to the last minute. I take the initiative to seek help whenever I am unable to progress with my work.

During my studies, I have completed the relevant modules such as Drafting, Draping, Garment Construction, Sustainable Techniques and Creative Techniques in Textiles.

我是淡马锡理工学院的学生，学习服装设计与营销，专攻时装设计。我是一个视觉学习者和一个注重细节的人。我喜欢绘图和使用缝纫机。我喜欢在团队中工作，但我也能够独立工作。我对自己要求严格，不喜欢把事情拖到最后一刻。当工作无法取得进展时，我会主动寻求帮助。

在学习期间，我完成了相关模块，如绘图、立体裁剪、服装结构、可持续技术和纺织品创意技术。

*

MY WORKS (我的作品)

DRAFTING (起草)

BLOUSE (女式衬衫)

For this assignment in Drafting, we were tasked to construct a basic blouse with a style line and variation on the sleeve (either a dolman, lantern, raglan or kimono).

So, I chose to design my blouse with two lanterns on top of each other for each sleeve and I finished my blouse with a concealed zip on the right of the bodice and a ribbon closure on the neckline of the back bodice to enable the blouse to be worn.

对于绘图中的这项作业，我们的任务是制作一件基本的衬衫，具有风格线条和袖子上的变化（蝙蝠、灯笼、插肩或和服）。

因此，我选择在每个袖子上设计两个灯笼，并在衣身右侧添加隐藏式拉链和后衣领口处的丝带封口来完成我的衬衫，以使衬衫能够被磨损。

BOMBER JACKET (飞行员夹克)

For this assignment in Drafting, we were tasked to construct a bomber jacket that consists of at least 1 style line, 1 pocket design, a relaxed or oversized silhouette, open end zip, overlock finishing and explore fabric selections or fabric mix. And we were also tasked to sketch 10 designs of the bomber jacket (front and back).

So, I chose to design my bomber jacket with an elastic pocket with pleats on half of the sleeves as its style line, and I also played with fabric mix.

对于这项绘图作业，我们的任务是制作一款飞行员夹克，该夹克至少包含一个款式系列、一个口袋设计、宽松或超大廓形、开口拉链、包缝处理，并探索面料选择或面料混合。我们还负责绘制十种飞行员夹克的设计草图（正面和背面）。

所以，我选择设计带有弹性口袋、半袖打褶的飞行员夹克作为风格线条，并且还玩转了面料混搭。

TAILORED BLAZER (定制夹克)

For this assignment in Drafting, we were tasked to construct a tailored blazer that consists of a Shawl/Notched/Peak Lapel, at least one welt pocket, a button down front (either single or double breasted), semi fitted silhouette using darts, fully lined and fused interfacing, and two tailored sleeves with shoulder pads.

So, I chose to design my tailored blazer to have a rounded peak lapel with a welt pocket at the right on the bust line of the blazer.

对于起草中的这项作业，我们的任务是制作一件定制西装外套，包括披肩/缺角翻领/尖领、至少一个贴边口袋、前面有一个纽扣（单排扣或双排扣）、使用省道的半合身轮廓、完全带衬里和熔合接口，以及两个带垫肩的定制袖子。

因此，我选择将我的定制西装外套设计为圆形尖领，在西装外套胸围线的右侧有一个贴边口袋。

DRAPING (悬垂)

KNIT BASIC BODICE AND SKIRT

(针织基本款上衣和裙子)

KNIT DRAPING (针织立体裁剪)

For this assignment in Draping, we were tasked to drape the basic bodice and skirt, petal skirt, cowl neck top, one piece side drape top and 2 explorations using knit fabric.

对于这项立体裁剪作业，我们的任务是立体裁剪基本的紧身胸衣和裙子、花瓣裙、垂褶领上衣、一件式侧垂褶上衣以及使用针织面料的两次探索。

PETAL SKIRT (花瓣裙)

COWL NECK TOP (斗篷领上衣)

ONE PIECE SIDE DRAPE TOP (一件式侧垂褶上衣)

MY FIRST EXPLORATION (我的第一次探索)

HOW I DID MY FIRST EXPLORATION (我是如何进行第一次探索的)

I did the front of my exploration by sewing random gathers onto my knit fabric using elastic in my bobbin, and then draping the fabric onto the mannequin until I get my desired look.

After I get the desired look, I then pin the gathers in place and start marking out the neckline and armholes and then cutting the allowances of the piece.

我通过使用线轴中的松紧带将随机褶皱缝制在针织面料上，然后将面料覆盖在人体模型上，直到获得我想要的外观。

获得所需的外观后，我将褶皱固定到位，开始标记领口和袖孔，然后切割这件衣服的余量。

i did the back of my exploration by also sewing gathers onto my fabric first and then pinning how I want the gathers to look like. And afterwards I just mark the neckline and armholes and cut the allowances.

After that I sew the front and back bodice together at the shoulder line and side seams, and used the cover stitch for the hem.

我在探索的后面做了一些工作，首先将褶皱缝在我的布料上，然后钉住我想要的褶皱的外观。然后我只标记领口和袖孔并削减余量。

之后，我将前胸衣和后背衣在肩线和侧缝处缝合在一起，并在下摆处使用盖缝。

MY SECOND EXPLORATION (我的第二次探索)

HOW I DID MY SECOND EXPLORATION (我是如何进行第二次探索的)

After getting the desired look of the cowl neckline, I draped the rest of the bodice.

I sewed gathers below each bust for the back and the front and pinned the side seams together.

在获得所需的领口外观后，我披上了紧身胸衣的其余部分。

我在每个胸围下方缝制了背面和正面的褶皱，并将侧缝固定在一起。

I did the front by folding a triangle shape down and pinning the edges on the shoulder line to create the cowl neckline.

我通过向下折叠一个三角形并将边缘固定在肩线上来制作前围领口。

SCULPTURAL DRAPING

(雕塑悬垂)

For this assignment in Draping, we were tasked to develop 10 designs each for the top and skirt and produce a toile of the chosen top and skirt design.

对于立体裁剪的这项任务，我们的任务是为上衣和裙子分别开发十种设计，并根据所选的上衣和裙子设计制作一件布料。

10 SKETCHES FOR TOP AND SKIRT (十张上衣和裙子的草图)

I made the 3D sculptural blocks out of paper and sticked it onto the basic bodice and used styling tape to mark out the seam lines and made them into paper patterns.

After that, I cut out the paper patterns with seam allowances and sewed the respective seams to each other.

After sewing, I ironed the parts that was supposed to be 3D to make it stand out more.

One thing that I could have done better would be to sew the edge of the 3D star more carefully so that the star would be more prominent.

缝制完成后，我熨烫了原本应该是3D的部分，使其更加突出。

我可以做得更好的一件事是更仔细地缝制 3D 星星的边缘，以便星星会更加突出。

我用纸制作了 3D 雕塑块，并将其粘贴到基本的紧身胸衣上，并使用造型胶带标记出接缝线并将其制成纸样。

之后，我用缝份剪出纸样，并将各自的接缝相互缝合。

I made the 3D sculpture at the side of the hip by using tracing paper and slowly pinning it down to make my desired shape. And after that I used styling tape to mark the seam lines and made them into paper patterns. After cutting out the paper patterns with the seam allowances, I sewed the pieces together.

我使用描图纸在臀部侧面制作了 3D 雕塑，然后慢慢将其固定以形成我想要的形状。之后我用造型胶带标记接缝线并将它们制成纸样。用缝份剪出纸样后，我将它们缝在一起。

SIGNATURE GOWN DRAPING (标志性礼服)

For this assignment in Draping, we were tasked to develop 10 designs for our signature gown that consists of at least 2 embellishments (embroidery, beading, sequins, appliqué or fabric manipulation) and a drape (ruching, cowl, pleats/gathers, origami folds or organic) on the bustier.

对于这项悬垂作业，我们的任务是为我们的标志性礼服开发十种设计，其中至少包含两种装饰（刺绣、串珠、亮片、贴花或织物处理）和悬垂（皱褶、斗篷、褶皱/褶皱、折纸褶皱）或有机）在紧身胸衣上。

Chosen Design (选定的设计)

Finished Signature Gown (成品签名礼服)

I designed my signature gown to have flower apliques and 3D beaded butterflies on it as I wanted my signature gown to have a garden theme to it. The colour theme of my signature gown is Black, White and Grey as I wanted it to look dark and monotonous. The colour of my flower aplique is Grey and White and the beaded butterflies are made out of clear crystal like beads. I chose to use silk and organza as I felt that these two materials paired well together to give off the airy but luxurious feel.

我设计了我的标志性礼服，上面有花朵贴花和 3D 串珠蝴蝶，因为我希望我的标志性礼服有花园主题。我标志性礼服的颜色主题是黑色、白色和灰色，因为我想让它看起来黑暗而单调。我的花朵贴花的颜色是灰色和白色，串珠蝴蝶是由透明水晶般的珠子制成的。我选择使用丝绸和欧根纱，因为我觉得这两种材料搭配得很好，散发出轻盈而奢华的感觉。

CREATIVE TECHNIQUES (创意技巧)

TEXTILE SWATCHES

(纺织品样本)

For this assignment in Creative Techniques, we were tasked to find 6 images to make swatches from at least 4 themes (Culture & Tribes, Nature & Ecosystems,Psychedelic Art Movement, Abstract Expressionism, Sci-fi & Futurism or Memphis Art Movement)

对于创意技术的这项作业，我们的任务是找到六张图像来制作至少四个主题的样本（文化与部落、自然与生态系统、迷幻艺术运动、抽象表现主义、科幻与未来主义或孟菲斯艺术运动）

Nature & Ecosystems

(自然与生态系统)

Scifi & Futurism

(科幻与未来主义)

Culture & Tribes

(文化与部落)

Abstract Expressionism

(抽象表现主义)

BURNOUT (倦怠的感觉)

For this assignment inCreative Techniques, we were tasked to create an Inspiration/Mood Board, Material & Color Board and 6 Textile Swatches. After making the 6 swatches, we were tasked to manipulate our swatches into a bucket hat.

对于创意技术中的这项作业，我们的任务是创建灵感/情绪板、材料和颜色板以及六个纺织品样本。制作完六个样本后，我们的任务是将样本改造成一顶渔夫帽。

MATERIAL & COLOUR BOARD (材质及色板)

I chose the mood, Burn Out, as I was feeling burned out from life at that point of time and I felt very tired from everything.

我选择了“Burn Out”的心情，因为当时我感到生活精疲力尽，我对一切都感到非常疲倦。

INSPIRATION/MOOD BOARD (灵感/情绪板)

我的收藏反映了一种精疲力竭的精神状态。我想展示我的一部分我对生活感到绝望，对生活中的一切感到厌倦，对生活的整个过程感到迷失，就像一只被蜘蛛网困住的蝴蝶。蝴蝶代表着自己的脆弱，尽管它具有巨大的漫游潜力，但它很容易屈服于猎物或脆弱的身体翅膀。被困在网络上感觉就像被扔进一个空旷、黑暗的空间，孤立无援从世界其他地方被迫看到自己的伤口，感到无助。这挣扎的瞬间几乎就像木炭的琥珀慢慢燃烧殆尽，结束最后产生一股细细的烟雾，作为烟雾完全熄灭的标志。

FINAL 6 SWATCHES (最后六张样片)

FASHION PRESENTATION (时尚展示)

For the first part of this assignment in Fashion Presentation Techniques, we were tasked to create a Mood/Inspiration Board and 2 Design Collages on our selected subculture.

对于时尚展示技巧这项作业的第一部分，我们的任务是根据我们选定的亚文化创建一个情绪/灵感板和两个设计拼贴画。

The subculture that I chose is grunge, I chose grunge as I liked the aesthetic of it and the mood that it gives off.

我选择的亚文化是垃圾摇滚，我选择垃圾摇滚是因为我喜欢它的美感和它所散发出的情绪。

II decided to use materials like denim, fishnet and leather as I felt that it would show the distressed look of grunge

我决定使用牛仔布、渔网和皮革等材料，因为我觉得这样会表现出垃圾的仿旧外观

For the second part of this assignment in Fashion Presentation Techniques, we were tasked to create a Material, Trims & Colour Story and a Design Board

对于时装展示技巧这项作业的第二部分，我们的任务是创建一个材料、装饰和颜色故事以及一个设计板

I decided to draw my models to look a little like Bratz dolls as I felt that it would suit my grunge subculture as well as my outfits.

I decided to make a bucket hat and a converse heels in my accessories range as I felt that it would suit the vibe and look of the outfits in my design collection.

我决定把我的模特画得有点像布拉茨娃娃，因为我觉得它既适合我的垃圾亚文化，也适合我的服装。

我决定在我的配饰系列中制作一顶渔夫帽和一双匡威高跟鞋，因为我觉得它适合我设计系列中服装的氛围和外观。

for the third part of this assignment in Fashion Presentation Techniques, we were tasked to manipulate the previous design board and develop our own variation of fashion figures, and to create an accessories range of 2 items to fit in our collection.

对于时装展示技巧这项作业的第三部分，我们的任务是操纵以前的设计板并开发我们自己的时装人物变体，并创建包含两种物品的配饰系列以适合我们的系列。

PRODUCT DEVELOPMENT (产品开发)

FASHION PRODUCT DEVELOPMENT (时尚产品开发)

For this assignment in Fashion Product Development, we were tasked to choose a brand to research about product insights and market trends, and curate a merchandise range of 10 to 15 skus.

对于时尚产品开发的这项任务，我们的任务是选择一个品牌来研究产品洞察和市场趋势，并策划 10 到 15 个 sku 的商品系列。

The brand that I chose is Prada as I felt that it had pieces that would be interesting to edit and curate for the upcoming season. The season I chose is the Fall Winter season so that the apparels would be more for the colder temperatures.

我选择的品牌是 Prada，因为我觉得它的单品对于下一季的编辑和策划会很有趣。我选择的季节是秋冬季节，这样衣服会更适合寒冷的气温。

Chosen and edited product

(选择和编辑的产品)

FINISHED PRODUCT (完成的产品)

COST SHEET (成本表)

STUDIO PROJECT 1 (工作室项目一)

For this assignment in Studio Project 1, we were tasked to choose a brand (either Artisan & Fox, BabeCave Batik, Canvas & Weaves, Eden + Elie, Muta.Wear, Not, OliveAnkara, Our Barehands or Studio Gypsied) and research on the brand and the target customer of the brand. We also have to create 1 Mood Board, 1 Colour Story & Material Board, Tech Pack, Cost Sheet and also generate product ideas.

对于工作室项目一中的这项任务，我们的任务是选择一个品牌（Artisan & Fox、BabeCave Batik、Canvas & Weaves、Eden + Elie、Muta.Wear、Not、OliveAnkara、Our Barehands 或 Studio Gypsied）并研究品牌以及该品牌的目标客户。我们还必须创建一张情绪​​板、一张色彩故事和材料板、技术包、成本表，并产生产品创意。

MOODBOARD (情绪板)

FINAL PRODUCT

(完成品)

COLOUR STORY & MATERIAL BOARD (色彩故事和材料板)

I chose Our Barehands because I felt that it was the most neutral brand as compared to the other brands provided. And I liked that the brand was very minimalistic and aesthetic looking.

I chose to make a necklace because Our Barehands does not have that big of a jewellry line and they did not sell any necklaces, and most of their accessories are not made out of fabrics.

我选择 Our Barehands 是因为我觉得与提供的其他品牌相比，它是最中性的品牌。我喜欢这个品牌非常简约且美观的外观。

我选择制作一条项链，因为 Our Barehands 没有那么大的珠宝系列，他们不出售任何项链，而且他们的大多数配饰都不是用织物制成的。

TECH PACK (技术包)

COST SHEET (成本表)

STUDIO PROJECT 2 (工作室项目二)

For this assignment in Studio Project 2, we were tasked to research about brands and choose a fashion brand and a non fashion brand to collaborate. And to create a Concept Board, Inspiration Board, Material & Colour Board, Product, 4 technical samples, Tech Pack and Cost Sheet.

对于工作室项目二的这项任务，我们的任务是研究品牌并选择一个时尚品牌和一个非时尚品牌进行合作。并创建概念板、灵感板、材料和颜色板、产品、四个技术样本、技术包和成本表。

My group chose Fanciful Doll as our fashion brand and Skullpanda as our non-fashion brand. We chose Fanciful Doll X Skullpanda to collaborate as we felt that it would create an interesting collaboration as both brands have opposite aesthetics, Fanciful Doll is very pink and girly brand while Skullpanda is very dark and hip.

我的团队选择 Fanciful Doll 作为我们的时尚品牌，Skullpanda 作为我们的非时尚品牌。我们选择 Fanciful Doll X Skullpanda 进行合作，因为我们觉得这会是一次有趣的合作，因为两个品牌有着相反的审美观，Fanciful Doll 是非常粉色和少女的品牌，而 Skullpanda 是非常黑暗和时尚的品牌。

40 PRODUCT

SKETCHES

(四十个产品草图)

5 CHOSEN SKETCHES (五个选定的草图)

DESIGN COLLECTION (设计系列)

4 TECHNICAL SAMPLES (四个技术样本)

MATERIAL & COLOUR BOARD (材质及色板)

FINAL PRODUCT (完成品)

SUSTAINABLE TECHNIQUES (可持续技术)

For this assignment in Sustainable Techniques, we were tasked to research on 5 different zero waste techniques to apply to our garments. After researching about the techniques, we had to create 6 unique full outfits, with at least 3 dresses using the mini torso. The 5 zero waste techniques that I chose are Subtraction Cutting, Pleating, Gathering, Unique Cuts and Braiding.

For my first outfit, I used the Subtraction Cutting technique to make a dress.

对于可持续技术的这项任务，我们的任务是研究五种不同的零浪费技术以应用于我们的服装。在研究了技术之后，我们必须创造六套独特的全套服装，其中至少三件连衣裙使用迷你躯干。我选择的五种零浪费技术是减法切割、打褶、聚集、独特切割和编织。

对于我的第一套衣服，我使用了减法切割技术来制作裙子。

For my second outfit, I used the Pleats and Gathers technique to make a top and bottom outfit. I used the Pleats technique to create pleats diagonally and fold accordingly to the shape of the bodice. I used the gathers technique to gather the fabric to the shape of the bodice.

对于我的第二套服装，我使用了褶皱和褶皱技术来制作上衣和下装。我使用褶皱技术对角线创建褶皱，并根据紧身胸衣的形状相应折叠。我使用褶皱技术将面料收集到紧身胸衣的形状。

For my third outfit, I used the Pleats, Gathers and the Braiding techniques to make a top and bottom outfit. I used the Braiding technique to connect the front and back bodice together and close up the side seams. And I used the Gathers technique to connect all of the excess pieces of fabrics together at the bottom of the skirt to create a tiered skirt look.

对于我的第三套服装，我使用了褶皱、褶皱和编织技术来制作上衣和下装。我使用编织技术将前胸衣和后背衣连接在一起并闭合侧缝。我使用“Gathers”技术将裙子底部所有多余的布料连接在一起，创造出分层的裙子外观。

For my fourth outfit, I used the Braiding, Gathering and Pleating technique to make a top and bottom outfit. I used the Braiding technique to join the front and back bodice at the side seams. I used the Pleating technique for the top of the skirt to follow the shape of the torso. I used the Gathering technique to create a ruched look for the top.

对于我的第四套服装，我使用了编织、收集和打褶技术来制作上衣和下装。我使用编织技术在侧缝处连接前后衣身。我在裙子的顶部使用了褶皱技术，以遵循躯干的形状。我使用了褶皱技术为上衣打造了褶皱外观。

For my fifth outfit, I used the Pleating and Gathering technique to make a dress. I used the gathering technique to gather large amounts of fabric to contour and follow accordingly to the shape of the torso. I used the pleating technique to fold the fabric to follow according to the shape of the torso.

对于我的第五套衣服，我使用了打褶和褶皱技术来制作连衣裙。我使用收集技术收集大量织物以勾勒轮廓并相应地遵循躯干的形状。我使用打褶技术将织物折叠起来，以适应躯干的形状。

For my sixth outfit, I used the Pleating and Gathering Technique to make a dress. I used the gathering technique to gather large amounts of fabric to contour and follow accordingly to the shape of the torso. I used the pleating technique to fold the fabric to the shape of the bust, and I also folded the back of the dress to look like the paper aeroplane wings

对于我的第六套衣服，我使用打褶和褶皱技术制作了一件连衣裙。我使用收集技术收集大量织物以勾勒轮廓并相应地遵循躯干的形状。我使用打褶技术将布料折叠成胸围的形状，还将裙子的背面折叠成纸飞机翅膀的样子

PRODUCTION DRAWINGS (生产图纸)

For the module, Production Drawing, we are tasked to draw technical drawings of different products like dresses, jackets, shirts, pants, skirts and even bags

对于“生产图纸”模块，我们的任务是绘制不同产品的技术图纸，例如连衣裙、夹克、衬衫、裤子、裙子甚至包袋

FASHION PHOTOGRAPHY(时尚摄影)

FASHION PRODUCT DEVELOPMENT

PRADA FALL WINTER PRODUCT

时尚产品开发

PRADA 秋冬产品

STUDIO PROJECT 2

FANCIFUL DOLL X SKULLPANDA PRODUCT

工作室项目二

Fanciful doll x skullpanda 产品

DRAPING 2

SIGNATURE GOWN

立体裁剪二

签名礼服